Published by Eye Magazine Limited, 2010 London. 4ºM (30×24 cm) 100 págs. Rústica ilustrada. Cubierta algo deslucida. Muy buen estado general. OPINION – Editorial Eye 77, the editor, John L. Walters. Photography and the joy of publishing in Eye 77. – California panorama. Rick Poynor. Emigre’s latest type catalogue uses historical sources to display wildly varied fonts with rollicking gusto. Critique by Rick Poynor FEATURES – From bombs to brands. the editors. A new touring exhibition pays tribute to the civilised zeal of the Design Research Unit from 1942-72 – Photography. Adventures in motion pictures. Slideshows, film, ‘motos’ and long portraits. Time-based picture-taking is transforming the way that photographers deal with their subject matter. Images by Tim Hetherington, Matthew Donaldson and Lauren Greenfield. Words by Kerry William Purcell, Andrew Losowsky and John L. Walters – Adventures in motion pictures. Frozen fire. Kerry William Purcell. ‘It’s like a game of rock-paper-scissors, in which the flicker of film melts the frozen photograph.’ – Adventures in motion pictures. The post-photographic age. Andrew Losowsky. Do editors’ demands for both motion and stills mean that an era of still photography is coming to an end? – Adventures in motion pictures. Neil McIntosh. Eye editors. ‘You can’t scan-read a five-minute film.’ Interview with Neil McIntosh, editor of Wall Street Journal Online Europe – Adventures in motion pictures. Aerial ballet of upholstery. John L. Walters. Matthew Donaldson’s high-speed ‘still life’ photoshoot with GTF for Kvadrat at Pinewood – Adventures in motion pictures. ‘This is reality’. John L. Walters. Tim Hetherington and Restrepo, the prize-winning documentary he made with Sebastian Junger – Adventures in motion pictures. Narrative arc. John L. Walters. Editorial photographer Lauren Greenfield on the jump from ‘essay form’ to story-telling – All my own work. Wayne Ford. Books lie at the heart of photography’s history. Now photographers are opting for the freedom and ‘total conception’ of publishing themselves. – Every detail counts- Wayne Ford profiles a ‘major force in British photography’ – Out of the darkroom. John Ridpath. Newport’s reputation for cutting-edge photography is based on a solid grounding in film-based techniques and an appetite for constant change. – Human touch. Eye writers, Camilla Grey, Liz Danzico, Tom Hartshorn, Brendan Dawes, Alfrido Triviño, Jason Fields. Six opinionated iPad users share their thoughts on apps – photography, entertainment, news, football, finance and fun – Reputations: Paula Scher. John L. Walters. ‘I am fascinated by organisations and the way people behave in power structures.’ – Two wheels good. John Ridpath. Designers have always been attracted to bicycles. A new breed of cycling mags shows just how deep that love runs – David Pearson: inside out. John L. Walters. The man who made series design fashionable (and profitable) at Penguin is also a publisher who relishes the ‘big puzzle’ of books. – Slow print. John L. Walters. Allow plenty of time to read Marian Bantjes’ highly personal book debut. – A nose for type. Eye editors. A new publisher of ‘visual writing’ launches with this typographic reboot of an eighteenth-century classic. – Memory of books. Sonia Sánchez. An elaborate, tactile catalogue – and a digital typeface – pay tribute to a golden age of Spanish typography. REVIEWS – Type: A Visual History of Typefaces and Graphic Styles – MATRIX / Berkeley: A Changing Exhibition of Contemporary Art – Paul McCarthy’s Low Life Slow Life: Tide Box Tide Book – Graphic Design for Fashion – Puffin by Design: 70 Years of Imagination 1940-2010 – Victore, or Who Died and Made You Boss? – Modern British Posters: Art, Design & Communication