Published by Eye Magazine Limited, 2011 London. 4ºM (30×24 cm) 122 págs. Rústica ilustrada. Cubierta algo deslucida. Muy buen estado general. OPINION – Dark Magus. Rick Poynor. Designer John Coulthart’s daily blog on the fantastical is erudite, prescient and admirably mind-expanding. Critique by Rick Poynor – Places need signs. Monitor, Rob Waller. Information design, architecture and making buildings readable Editorial Eye 80, John L. Walters. Eye 80 – celebrating two decades of graphic design and change FEATURES – Reputations: Robin Kinross. Rick Poynor. ‘It’s to do with meaning, which forces its way up like a root growing under a pavement – it breaks the paving stones. Many people would like these neat stones in a nice grid, but unfortunately there is this tree with all its pressures and necessities and you have to follow it.’ – Taking care of business. Simon Esterson. The pages of Bloomberg Businessweek explode with infographics, illustration and design experiment. Interview with creative director Richard Turley – Keepers of the flame. Steven Heller. US picture magazines of the late 1960s and 70s are still a vital source of inspiration – Credits where due. Anne-Marie Conway. Momoco’s TV and film titles mix animation and typography to distinctive (and award-winning) effect – Out of hand. David Crowley. Handwriting is a touchstone in the history of graphic design, where lettering meets the messy reality of the human body – Different strokes. Jonathan Parker. Sensitive details and technological ingenuity make Alejandro Paul’s script typeface designs both highly regarded and hugely popular – Tools of the trade. David Barringer on the one sure thing he has grasped in two decades of graphic design life – Dreams can come true. Johnny Hardstaff. As previously opposing worlds collide, Johnny Hardstaff envisages new designer-client relationships – Crashing and burning. Jim Northover. Design and business make a volatile mix, says Jim Northover, but it is one we cannot afford to dismiss – Change through making. Jack Schulze and Timo Arnall see more and more designers making it all up as they go along – Ordinary values. Alice Twemlow. Design discourse is slowly learning to appreciate the essence of the everyday, writes Alice Twemlow – Lost in flatlands. Gerry Leonidas. Will the next generation of page layout programs give us back our sense of space? – Out of the darkroom and into the light. Sue Steward considers the speed, the globalisation and the democratisation of digital photography – Tangible digital (intro). Tom Hartshorn. How can we make the virtual more physical while bringing emotion into the digital domain? – Tangible digital (case studies). John Ridpath. How can we make the virtual more physical while bringing emotion into the digital domain? – 10,000 one offs. John L. Walters. Field’s 10,000 ‘illustrations’ for SEA’s GF Smith paper swatch give a new dimension to variable data printing – A certain smile. John L. Walters. Sara De Bondt is a shaker and mover, who leads a studio with a decisively contemporary approach to identity design – Beyond words. Noel Douglas. Peter Kennard’s angry, wordless montages show a political nightmare in the hope that we wake up and deal with it REVIEWS – Letter Fountain [on Printing Types] – Symbol – Close Eyes to Exit – Beauty Is in the Street: A Visual Record of the May ’68 Paris – Uprising – Scripts – Wim Crouwel: A Graphic Odyssey: catalogue – Hitler Blind – Stalin Lahm [Hitler Blind – Stalin Lame] – Ballet – Cartographies of Time – General Idea – A Symbol for the Festival: Abram Games and the Festival of Britain – Graphic Design: History in the Making – Matt Pyke & Friends: Super – Computer – Romantics