Published by Eye Magazine Limited, 2012 London. 4ºM (30×24 cm) 108 págs. Rústica ilustrada. Cubierta algo deslucida. Muy buen estado general. OPINION – Editorial Eye 82, John L. Walters. After several special issues – on Berlin, music design, the designer-client relationship and our regular. – Regeneration X. Book design, Illustration, Reviews, Visual culture, Rick Poynor. Laura Oldfield Ford’s grainy Savage Messiah brings new urgency to an updated punk aesthetic. Critique by Rick Poynor FEATURES – Reputations: Commercial Type. John L. Walters, Simon Esterson. ‘There has been typography on the Web for its entire existence, because there are words, and where there are words there is typography . Some people believe that there is going to be a radical change in the process of reading because of webfonts. Actually, no.’ – A circle that moved the earth. Alexander Ecob. Copernicus’s diagram of the planets 1543 – Charts change minds. Anne-Marie Conway. Description of the slave ship Brookes 1788 – Taught from a new angle. Alexander Ecob. Oliver Byrne’s element of Euclid 1847 – Lady with the diagram. Anne-Marie Conway. Florence Nightingale on Crimean War mortality, 1858 – The art of illumination. Robert Fripp. Will Burtin, the man who invented infodesign 1940s – Big business, big world. Peter Brawne. Herbert Bayer’s World Geo-Graphic Atlas, 1953 – Training the big guns. Max Gadney. Peter Sullivan’s newspaper war visuals 1970s & 80s – Crashing through the type. Nigel Holmes. Time magazine infographics by Nigel Holmes 1970s – You are here. Max Gadney. Information designers are ideally placed to make the most of the new digital era. – Show and tell. Karla Hammer. From great apes and pop fans to real children’s spaces, James Mollison’s photographs invite the viewer to look beyond face values. – Flights of fancy. Liz Farrelly. Si Scott made his name with baroque combinations of type and image, but his 3D paper insects are taking his work in new directions. – The new breed. Mike Dempsey. Alex Bec and Will Hudson, of It’s Nice That, unveil their agency INT Works, grown directly from their roles as editors and curators. – Naked words. Jason Godfrey. Type-only book covers – whether deliberately austere, functional . or shouting loud from the shelves – have always had a place in publication design. – 7 types of design inquiry. John O’Reilly. From folklore theory, via shamanism and the ‘magpie instinct’ for shiny things, graphic design’s quest to understand itself takes many different forms. – Old school layout. John L. Walters. Every fortnight, art director Tony Rushton and editor Ian Hislop lay out Private Eye in a way that’s hardly changed in 50 years – Publish and be damned. Andrew Billen. As Private Eye celebrates its best sales figures for 25 years, lifelong subscriber Andrew Billen describes its winning mix of gossip, serious exposés, parodies, cartoons and attention-grabbing covers – Carter’s battered stat. Matthew Carter – Shock tactics. Robert Newman. America’s funky ‘altweeklies’ are a hotbed of zero-budget, attention-grabbing cover art direction. – Lessons from an abandoned fish factory. Anne Odling-Smee. This project showed MA students at Central Saint Martins how design can work in the ‘real world’ REVIEWS – Saul Bass: A Life in Film and Design – Graphic Design: Now in Production – Type Navigator: The Independent Foundries Handbook – Typo London – Ootje Oxenaar: Designer and commissioner – Frank Reade: Adventures in the Age of Invention – London Buildings: An Architectural Tour – Polish Cold War Neon – Visual Complexity: Mapping Patterns of Information – Nelson – Own Label – Making Great Illustration – Design Research Unit 1942-72