Published by Eye Magazine Limited, 2012 London. Typography Special. 4ºM (30×24 cm) 104 págs. Rústica ilustrada. Cubierta algo deslucida. Muy buen estado general. OPINION – Editorial Eye 83. Graphic design, Typography, Editorial, John L. Walters. Several recent issues of Eye have focused on type design, but this special puts the. – The woman who took on the Wolf Man. Book design, Illustration, Visual culture, Rick Poynor. Slawa Harasymowicz’s first foray into graphic novels illuminates a Freudian case history with thrilling clarity. Critique by Rick Poynor FEATURES – Reputations: Massimo Vignelli. R. Roger Remington. ‘I was always seeking to affect the lives of millions of people – not through politics or entertainment but through design. I strive to raise the bar a few inches, taking the commonplace and improving it.’ – Miss Fixit. Steven Heller. Tina Roth Eisenberg never had a business plan. But all the things she dreams up – the Swissmiss blog, ‘creative mornings’, stick-on tattoos – pay off. By Steven Heller – Street life. Nick Kapica. Bremen’s street magazine Die Zeitschrift der Strasse is a social project that benefits its student publishers as much as its homeless vendors. By Nick Kapica – The line of beauty. Paul Shaw, Abby Goldstein. Script typefaces, currently enjoying an unprecedented popularity, bring a vital element of humanity to the digital age. By Paul Shaw and Abby Goldstein – Rethinking Lubalin. Adrian Shaughnessy. As his book on Herb Lubalin – the first in almost 30 years – goes to press, Adrian Shaughnessy explains his change of heart about the US typographer – Devil in the detail. John L. Walters. Careful, even-tempered typographer by day – wild art director by night? For John Morgan, both the typographic detailing and the grand gestures are essential to each project’s unique ‘atmosphere’. By John L. Walters. – Free for all. John Ridpath. In designing the Ubuntu type family, Dalton Maag had to produce faces for print and screen in thirteen styles and numerous non-Latin languages – all under scrutiny from an online audience of millions. By John Ridpath – Postmodern jam session. Jan Middendorp recalls Fuse, the type ‘magazine’ that opened up (and put the lid on) a transient era of adventurous type design from small digital foundries – Last things last. Ken Garland. It’s not a case of ‘us and them’! Ken Garland addresses an issue left unsaid in his 1964 First Things First manifesto: an acknowledgement of the client’s essential role in graphic design – Paper tigers. Deborah Burnstone describes Fedrigoni’s inspirational workshops for secondary school art and design teachers REVIEWS – Mind the Map – Against All Odds: Polish Graphic Design 1919-1949 – Projekt: The Polish Journal of Visual Art and Design – Richard Hollis – About Graphic Design – Electrical Banana: Masters of Psychedelic Art – Stefan Sagmeister: The Happy Show – Information Graphics – Rock, Paper, Scissors – Sarah Illenberger – Pierre di Sciullo: En esthète de gondole – 2012 European Design Awards – Decodeunicode – Making Wet: The Magazine of Gourmet Bathing – British Comics: A Cultural History – Kwadraat-Bladen: A series of graphic experiments, 1955-1974 – Graphics Without Computer: 40 Years of Modest Achievements – Graphics Without Computers: Letters. Hand-drawn, Embossed, – – Volumetric – Goliath